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Funny. But the part about him getting a contract to make JL films seems like a misreading of the plot summary. He asked the JL to star in his next film, and they said, no, THEY already have a 'lifetime contract' to be in the real Justice League. So life imitates art...Mr. Snyder was blocked from making a JL film. :slap
 
They have this idea that, "so they became friends because their moms have the same name?" It's just completely overlooking all the deeper context and subtext around this. Trigger words are a real thing, words that trigger memories, flashbacks, feelings and ideas.

You’re completely on point imo about the PTSD aspect. We’re shown it very graphically and emotionally with the flashback to childhood with the moment Bruce’s parents were murdered before his eyes, with young Bruce helpless to intervene.

I think the issue most people have with “Martha” is that Superman says her first name instead of saying “my mother.” That is unusual in the sense that most people do not refer to their mother by their first name—and indeed in the film Clark refers to his mother as “mom” or “ma.” So detractors of this scene view that dialogue choice, i.e., the use of “Martha” instead of “my mother,” as clumsily or artificially contrived in order to establish the plot device of both mothers sharing the same first name.

I’ve seen a number of explanations as to why that still works fine for some folks including that Superman tries (but is unable to) to gurgle out “Kent“ after Martha; that he feels the imperative to try to provide more specific information than just “my mother,” i.e., “Martha” makes it someone in general that needs saving and then Batman might more readily listen as such; or that Clark believes that because Bruce views him as an “alien” that he will have no sympathy for Clark having a mother, etc.

But I think the choice to say “Martha” versus “my mother“ is most likely intended to be deliberately controversial. I am sure that when Snyder, Terrio, Affleck, Nolan, et al., watched the dailies of this scene during production they must have foreseen how strong an internal reaction this dialogue choice would likely evoke. It’s hard for me to imagine that they would not have anticipated the furor over it.

We know that by the start of the fight that Clark recognizes that Batman is Bruce Wayne. Clark calls out to Batman as “Bruce.” And it was also insinuated when Superman shows up during the Batmobile chase scene and toe taps the Batmobile out of commission and then warns Batman to retire. Yes, Superman might have overheard the Batmobile chase with his super hearing and came to investigate. But after Luthor’s charity ball it seems pretty clear that Clark realizes Bruce is Batman. So would Clark not have then watched Bruce for a while with his X-ray vision and seen Bruce in the Batcave, etc.? Anyway, all this establishes that Clark… who is an investigative reporter!… surely must have researched Bruce at least to some degree.

I think this is important to recognize: a decision has been made by director, writer, and producers that we have not been shown any of that! It’s all left for us to infer, to surmise, by connecting dots, etc.

And that is a conscious choice that the filmmaker has made. I do not think that as meticulous as Snyder is about so many lore related things like embedding countless comic book reference easter eggs, etc., that he would be oblivious to something as important as this. It’s the dramatic climax of the entire movie!

So why was this done? My speculation is this:

BvS is a deconstruction of superhero mythology. Deconstruction places these mythic, archetypal, fictional, idealized superhero characters into the real world that actually exists and reimagines what that might actually look like.

In real life we are not shown everything pertaining to the “why” of things. We are not shown what happens outside of what we are able to view or perceive. There is a tremendous amount going on below the surface of what we are able to observe that we must peice together and ultimately make our best guesses at. Many things of a fundamentally abstract nature, such as the meaning of any particular thing (and possible multiple meanings at that), we may never have the ability to know empirically with absolute certainty. In real life there is no “script” or dialogue leading us by the hand, giving us exposition to explain what is happening or what things mean. (I’ve been thinking about this for many years now but Rob Ager’s video that I posted sums this up really well, btw.) In the fictional space of comics, literature, TV shows, movies, etc., we can do that. But real life does not give us that. As Bruce says to Clark during their fight “the world only makes sense when you force it to.”

So is it too much of a stretch that the Martha scene is intentionally designed to force us, the viewer, to make a choice about how we make sense of it? As noted there are quite a number of ways to interpret what Clark is doing in that scene. But what if… even though we are not shown it on screen… Clark has indeed researched Bruce Wayne; and in fact Clark is very much aware of the trauma that has haunted Bruce his entire life, and indeed of Bruce’s failure to deal with that trauma emotionally having even corrupted Bruce’s soul in many ways?

If this is a cogent explanation for what we see take place on screen with “Martha,” then my interpretation is that Clark actually has a lot of sympathy for Bruce going into that showdown. Clark understands that Bruce Wayne is a good man, and a force for good In the world. Clark still disapproves of Batman’s ruthless form of vigilantism and entirely lawless tactics. (Although Clark in his own right has had to wrestle morally with his own governmentally unsanctioned unilateral use of super powers in a democracy, and is therefore ultimately guilty of more or less the same basic sins as Batman regarding his own vigilantism. “A bit hypocritical, wouldn’t you say?“)

I think Clark pulls his punches throughout the fight (he could easily win at any point but like Jesus lets himself be tortured and scourged, also note Batman uses a spear) and is hoping to let Batman exhaust himself, and then he’ll speak reason to him. But he finds himself at risk of actually being killed so Clark plays his last resort psychological trump card to shock Bruce into awareness of his trauma history. And as we see, it works.

Because Bruce grasps that this is what Clark has done for him, i.e., put him in touch with his inner demons and to work through the trauma (at least sufficiently to begin healing and function far better), Bruce is of course grateful for that! Bruce realizes what Clark has done there. Clark has risked almost being killed by Bruce in order to help Bruce work through something that has been torturing Bruce his entire life! That is a great gift indeed. It is an incredibly selfless and prosocial act! Of course Bruce is going to return the favor by saving Clark’s mother after that! And not for nothing this gives Bruce the opportunity to undergo a catharsis related to the trauma of the murder of his own mother, i.e., to symbolically live out young Bruce’s fantasy of saving and rescuing his mother.

Right, although I wouldn't completely dismiss Snyder's objectivist or libertarian leanings. This philosophy exists outside and apart from the traditional American constructs of the left or right. So it's a coin toss whoever those people end up voting for. The emphasis on the mantra of "freedom" in 300 dovetails with an affinity for this philosophy. Government oppression and overreach is a theme in all his DC movies. And he looks at the extreme opposite of that with the anarchy in his zombie movies and the vigilantism expressed by Rorschach and BVS Batman. He's very interested in the concept of freedom and exploring how it survives at both extremes of the spectrum, from fascism to anarchy.

Yeah, I do agree with this. And I concur that he sees it as extending far beyond just Ayn Rand’s philosophy.
 
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I don't want to say you're overthinking it, but, I think it's much simpler than that. Batman does NOT know Superman's identity. If they weren't fighting at all, but were allies, and Martha Kent was kidnapped, Superman would show up at the Batcave and say, "We have to save Martha Kent. She's a woman who's been kidnapped." He would not say we have to save my mom, because it would spoil his secret identity. So what we saw on screen in this scene is no different. This is how he would logically refer to her to anyone who didn't know his secret identity.
 
I believe some of the bad decisions weren’t really his fault. I honestly believe bvs was a studio driven movie. The jl being teased, Wonder Woman and doomsday were all studio execs pushing to catch up to the mcu. He just did the best he could to make it work. I feel like he would have made a more self contained Superman vs Batman film with no other outside connections or final big ninja turtle cgi battle. So I don’t really blame him for bvs. That movie had studio interference written all over it.

man of steel had zero of that outside of a few winks to the fans . Mcu blows up and bvs was littered with sooooo many connections and other characters. Felt like iron man 2

I agree that likely was a huge factor for sure. They were trying to catch up to the MCU.

But it’s also true that when brainstorming the sequel to MoS Snyder himself proposed that they use Batman as the villain for Superman. He said that once Batman was on the table he felt like there was no going back for him. I think he also might have admitted at one point that it gave him a chance to essentially make a Batman movie. He has said that he would still like to make his own adaptation of Frank Miller’s TDKR (which I personally wonder if it could conceivably be something like what he did with 300, which is basically retelling the graphic novel panel for panel). Anyway, BvS pulls many core ideas from TDKR but is still very much it’s own thing.

It’s a combination of factors. The studio wanted to race to catch up to the MCU. And then Zack developed his own ideas about how to try to do that using his own five film “elseworld” (Zack’s term for it at the 2020 DC Fandome) saga. Think of it like a five comic run.

Also though, as @JediJones has pointed out, Snyder did originally have a grand plan for a vastly interconnected universe with many limbs to it, and from an interview I read back in 2016 (now unable to find) it actually did sound very MCU-like.

Although that being said, I also suspect that once BvS got panned by critics and failed to make $1B, and WB turned on Zack, etc., Zack realized he would be lucky to just complete his own five film project!
 
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I don't want to say you're overthinking it, but, I think it's much simpler than that. Batman does NOT know Superman's identity. If they weren't fighting at all, but were allies, and Martha Kent was kidnapped, Superman would show up at the Batcave and say, "We have to save Martha Kent. She's a woman who's been kidnapped." He would not say we have to save my mom, because it would spoil his secret identity. So what we saw on screen in this scene is no different. This is how he would logically refer to her to anyone who didn't know his secret identity.

I respect your point of view completely and acknowledge that you may be right. If I’m wrong about what Snyder intended I am definitely overthinking it, lol!

I see it differently as you can tell. It actually fits into my thesis that there would be a considerable variation in interpretation. Not that that “proves” anything of course.

I think what I’m trying to point out is that there is room to interpret as you have, and as I have, and as others have, which to my mind gives the scene a Rashomon-like quality. And if this is what Snyder intended, then he wants people to rewatch, discuss, argue, think independently, etc. It calls for more active participation from the viewer than just sitting back and being told what things mean.

I would love it if some day Snyder addresses this question!
 
I don't want to say you're overthinking it, but, I think it's much simpler than that. Batman does NOT know Superman's identity. If they weren't fighting at all, but were allies, and Martha Kent was kidnapped, Superman would show up at the Batcave and say, "We have to save Martha Kent. She's a woman who's been kidnapped." He would not say we have to save my mom, because it would spoil his secret identity. So what we saw on screen in this scene is no different. This is how he would logically refer to her to anyone who didn't know his secret identity.

In the scene of Bruce and Clark meeting for the first time as Lex's charity ball, do you not think it is strongly hinted, and if (!) so therefore that we are invited to reasonably suspect, that Bruce has probably already researched Superman enough to have figured out that Clark is Superman?

I mean, just watch all the intense non-verbal communication in that scene. (Which is superbly acted by both Affleck and Cavill.)

Just curious. Maybe you don't. Which is cool. If so you may be right. But my gut on it is that that scene subtly signals that Bruce does know.

 
In the scene of Bruce and Clark meeting for the first time as Lex's charity ball, do you not think it is strongly hinted, and if (!) so therefore that we are invited to reasonably suspect, that Bruce has probably already researched Superman enough to have figured out that Clark is Superman?

I mean, just watch all the intense non-verbal communication in that scene. (Which is superbly acted by both Affleck and Cavill.)

Just curious. Maybe you don't. Which is cool. If so you may be right. But my gut on it is that that scene subtly signals that Bruce does know.



Didn't anybody pretty much gleaned that information in that scene that Bruce knew who Clark is? It was obvious. Guy's seen Superman as a threat since the events of MOS. I'm sure Bruce has done his research on him since then. Clark only finds out during the gala who Bruce really is. Come on. Even Jimmy Kimmel knew who they were.
 
He has said that he would still like to make his own adaptation of Frank Miller’s TDKR (which I personally wonder if it could conceivably be something like what he did with 300, which is basically retelling the graphic novel panel for panel).

The good thing is Miller will be willing and able to participate in adapting it. If Zaslav wants another movie like Joker, TDKR is it. Snyder said in an interview last year he didn't think it would cost that much to do. I also have to imagine a huge majority of DC fans would support Snyder adapting TDKR. The director of 300 and Watchmen was born to do this.

Someone on Reddit posted a really good fancast list. Josh Brolin as Batman, William Dafoe as Joker, Russell Crowe as Green Arrow.



Also though, as @JediJones has pointed out, Snyder did originally have a grand plan for a vastly interconnected universe with many limbs to it, and from an interview I read back in 2016 (now unable to find) it actually did sound very MCU-like.

This one I think. It annoys me when Snyder fans try to say the shared universe was not his idea, or he was forced into it. I don't know who came up with it first, but I feel like it was absolutely the right idea, and Snyder was fully on board with it. And even Affleck and Ayer spoke in very gung-ho terms about making the movies deeply interconnected. With how fast WB abandoned those plans after Justice League, I'm almost assuming that Snyder and friends were pushing for it more than WB was.

https://www.usatoday.com/story/life...suicide-squad-2016-superhero-movies/78249180/
In a lot of ways, though, Snyder says these two movies are only “the cornerstone of the beginning” of Warner Bros.’ grand plan, which began with the filmmaker’s Man of Steel in 2013.

This shared saga continues in next year’s Wonder Woman, which director Patty Jenkins is now filming in Europe with Gadot. Solo films are also planned through 2020 for fellow heroes The Flash (played by Ezra Miller), Aquaman (Jason Momoa), Cyborg (Ray Fisher) and more, as well as two Justice League movies directed by Snyder that will be DC’s answer to Marvel’s tentpole Avengers flicks.

“I love Batman and Superman and Wonder Woman, but having Flash and Aquaman and Cyborg and to see them all standing together, it’s a pretty dorky and cool experience for me,” says Snyder, who’s introducing some of his new Leaguers in Dawn of Justice.

“Basically every one of those characters has a logo that you would recognize without them standing there, and that’s a hard thing to achieve in this pop-culture world. We have history to draw on, but we also have these new frontiers to forge.”

The new DC movies are all about introducing new characters, and Snyder is especially excited about unleashing Wonder Woman, who has a small role in Dawn of Justice but a bigger part to play in the larger universe. “She’s a powerful female superhero, which is a thing we haven’t had for a while,” Snyder says. “She’s a piece of IP that basically exists in pop culture in a way where every kid’s got a Wonder Woman T-shirt and they don’t really know why. I want to give the why back to that.”

Ayer appreciates the reverence to the source material and importance of getting characters right. “For me, it’s a little more than just dropping a cut scene in the end credits to link projects,” he says. “You really have to be thinking three movies downrange and how today’s movie will impact more later-cycle projects.”

Snyder, who’s also a producer on Suicide Squad and Wonder Woman...“It’s our belief and our goal to honor the legacy of the studio with a batch of films that speaks to that world.”
 
Bruce toying with Clark at the party is just playing with the classic trope of 'does he or doesn't he' know the secret identity. Same thing Lois does in the older movies, same thing Aunt May does in Spider-Man 2 with her speech saying Spider-Man should suit up again. It's ambiguous to toy with the audience, because Bruce could merely be pissed at Clark for writing his puff piece editorials, as the dialogue points out. Bruce also shows no interest in talking to Clark at the party until Clark calls Batman a vigilante, which sets him off.

Bruce in no way acts as if he knows Superman is Clark Kent at any time between the party and the fight. There are many things he would say or do differently if he knew. He could drop a line about how he's acting like a spy, or hiding amongst the civilian population like a terrorist in a cell. But it's VERY important that Bruce doesn't see Superman as human in any way for his motivation. He has to have those blinders on. It could ruin the story if Bruce knew he had a mom and a girlfriend and a workaday job.

Most importantly, it wouldn't matter because CLARK doesn't know Bruce knows his identity. So he'd still want to keep it secret. So my point still stands either way.

And if this is what Snyder intended, then he wants people to rewatch, discuss, argue, think independently, etc. It calls for more active participation from the viewer than just sitting back and being told what things mean.

I would love it if some day Snyder addresses this question!

You can find Snyder discussing the genesis of the Martha scene on YouTube in a video labeled that way. I think Snyder approached the whole movie the way you describe. And maybe some aspects of the Martha scene. But I do not believe at all that he wanted people to be wondering why Superman said the name Martha rather than his mom. That's something people are getting tripped up on completely unintentionally. That kind of confusion doesn't help the viewing experience.
 
@JediJones I wish I could find the interview in which Snyder... pretty sure it was him... stated that the execs were actually giddy about the master plan they mapped out and had up on the wall in the creatives office.
 
Bruce toying with Clark at the party is just playing with the classic trope of 'does he or doesn't he' know the secret identity. Same thing Lois does in the older movies, same thing Aunt May does in Spider-Man 2 with her speech saying Spider-Man should suit up again. It's ambiguous to toy with the audience, because Bruce could merely be pissed at Clark for writing his puff piece editorials, as the dialogue points out. Bruce in no way acts as if he knows Superman is Clark Kent at any time between the party and the fight. There are many things he would say or do differently if he knew. He could drop a line about how he's acting like a spy, or hiding amongst the civilian population like a terrorist in a cell. But it's VERY important that Bruce doesn't see Superman as human in any way for his motivation. He has to have those blinders on. It could ruin the story if Bruce knew he had a mom and a girlfriend and a workaday job.



You can find Snyder discussing the genesis of the Martha scene on YouTube in a video labeled that way. I think Snyder approached the whole movie the way you describe. And maybe some aspects of the Martha scene. But I do not believe at all that he wanted people to be wondering why Superman said the name Martha rather than his mom. That's something people are getting tripped up on completely unintentionally. That kind of confusion doesn't help the viewing experience.

To my mind, it only makes sense if it is a radically subversive statement about deconstruction and cinema in general, and as such taking a gigantic risk artistically. And in that sense following in the same footsteps as great directors that push the envelope about such things, such as Stanley Kubrick and David Lynch, et al.

Like, he sneaked that in there. 👀
 
Well the Constantine HBO Max series is already ruined for me:

https://comicbookmovie.com/constant...ome-familiar-faces-for-hbo-max-series-a193270
It was officially announced late last year that a new HBO Max Constantine series from J.J. Abrams' Bad Robot production company was in-development, and we know have an intriguing update courtesy of some new character breakdowns.

We already know that the Scouser occultist will be reimagined for this show, with "a BIPOC actor in their late 20s" being sought for the lead. Based on these descriptions, it sounds like Johnny boy will be joined by a few familiar faces.

PAUL: "Non-Binary, Trans Male, 40-59; A nightclub owner and trafficker based in Soho. Paul is wry and sceptical, a wheeler-dealer with a twinkle in his eye. A crude comparison might be Grace Jones meets Lando Calrissian. Paul is the survivor of a youth of hardship and excess, but he has risen to the top in his world...and is now struggling to stay there. Supporting role, multiple seasons. Ethnicity: Black / African Descent."

THE GURKHA: "Male, 30-49. a Nepalese man in his 30s-40s. An enigmatic and intimidating figure, a seemingly unstoppable yet shrewd killing machine. Less because of his stature than his look, which should send chills down our spines. Taciturn and physically capable, this is a very action/stunt-heavy role with limited dialogue. This role is ex-Gurkha. Professional acting experience is not essential but martial arts experience is a must. Ethnicity: Asian."

AKARA: "Female, 8-11. A 10-year-old girl of Cambodian heritage. The emotional heart of our story. Akara suffers from a bodily affliction that makes her at times grotesque and unusually strong -- potentially very dangerous. Her arc is not unlike that of someone who has a terminal illness. At times a victim and a scared young girl, Akara finds her strength along the journey and discovers an unshakeable will within her. Professional acting experience is not essential but the role is demanding so we are looking for someone really talented. We can consider children slightly younger or older if they look 10 years old and have that level of maturity. Must have a good level of English. This role will also speak Khmer. Ethnicity: Asian."

PICH: "Male, 60-70. A man of Cambodian heritage. Akara’s stoical grandfather. Racked by guilt due to his granddaughter’s inherited affliction, but covers it with a subtle warmth and dry sense of humor. A survivor of the Killing Fields, he’s been through horrors we can’t imagine. Though he doesn’t look it, he is at times stunningly strong despite his age. Professional acting experience is not essential. Must have a good level of English. This role will also speak Khmer. Ethnicity: Asian."
insidellewyndavis-tired.gif


By the time all my favourites get the movie/tv treatment and thus get dolls made, I'll be so over it all that my collection will be 1/10th of my wishlist...

tumblrm6eex7wcta1qgp6v5o11280-1361422164.jpg


A-At least the Green Lantern film in 2035 will be g-good...
 
insidellewyndavis-tired.gif


By the time all my favourites get the movie/tv treatment and thus get dolls made, I'll be so over it all that my collection will be 1/10th of my wishlist...

tumblrm6eex7wcta1qgp6v5o11280-1361422164.jpg


A-At least the Green Lantern film in 2035 will be g-good...
I'm fully prepared for Multiverse of Madness.

It will be a long wait for Blade. MK and DS2 week will be my last enjoyable week. Thor4 is IM3 all over again. Antman3 will be a clown show and Gunn for GOTG3 lost me with GOTG2/TSS.
 
Would you buy a Keanu figure if they made him?
In a heartbeat, as that'd be the biggest chance I'd have of owning an official JonCon. But I'd still consider it a movie version and want a more accurate comic look down the line. In my wishlist I've got a small Vertigo section set-up with JonCon, Swamp Thing, Zatanna, Doctor Fate, Lucifer, Dream and Death. It's a shame I'll never get to set it up...

But I'll even go so far to say that I'd prefer the early look with the blue suit and trenchcoat. The "classic" outfit works better as he's a working class trickster, so the "sloppy" dressing fits more. But his FA just oozed style.

1*yCT_6ND6-8ytAC_ZMAdJoQ.jpeg


Classy Sting is too good of a concept. I think the update it received before they went back to the more mass-marketed look was great as well.

3321970bd56c2f1d1eeaf0496b33f9c1.jpg


The vest-suit combo with the jacket and the fade/sidecut worked well for a hipster-ish/metrosexual JonCon. I still prefer the older version, but I'm fine with this as well. That was a pretty fun if forgettable series. DCYOU was pretty crappy, but I enjoyed both that and Midnighter.

Midnighter%2B%25239%2B%25282016%2529%2B-%2BPage%2B9.jpg


He's such an edgelord and I love him for it. I'd kill for some Authority/Planetary/WildStorm figures. Midnighter and Snow are my locks, and then there are some "lesser" wants I have. Sadly, we'll never get anything from them. And considering how Ellis butchered it for his made-for-tv pitch, it's better that way. I can't believe I pulled that nonsense for 2+ years...

I guess I could try and kitbash a JonCon if they ever release a Phantom Menace Obi-Wan, as McGregor was always a popular fancast for him. Granted he's a Scot and not a Scouser, but you've got to work with what you have.

I'm fully prepared for Multiverse of Madness.

It will be a long wait for Blade. MK and DS2 week will be my last enjoyable week. Thor4 is IM3 all over again. Antman3 will be a clown show and Gunn for GOTG3 lost me with GOTG2/TSS.
I'm waiting to see how they handle the X-Men. It'll probably be obnoxious and I won't get even 1/3rd of my wishlist. Even miscasts aside, who's to say they'll do all the crazy X-Characters and that HT will then make the figures? Cable is a convulted character who is however popular enough and will appear 5 years into the X-Flicks. But someone like Rachel?Or Exodus? Will we ever get Adult Franklin in a Hickman FF adaptation? As time goes on I realise that most of my wants will just never happen.
 
In a heartbeat, as that'd be the biggest chance I'd have of owning an official JonCon. But I'd still consider it a movie version and want a more accurate comic look down the line. In my wishlist I've got a small Vertigo section set-up with JonCon, Swamp Thing, Zatanna, Doctor Fate, Lucifer, Dream and Death. It's a shame I'll never get to set it up...

But I'll even go so far to say that I'd prefer the early look with the blue suit and trenchcoat. The "classic" outfit works better as he's a working class trickster, so the "sloppy" dressing fits more. But his FA just oozed style.

1*yCT_6ND6-8ytAC_ZMAdJoQ.jpeg


Classy Sting is too good of a concept. I think the update it received before they went back to the more mass-marketed look was great as well.

3321970bd56c2f1d1eeaf0496b33f9c1.jpg


The vest-suit combo with the jacket and the fade/sidecut worked well for a hipster-ish/metrosexual JonCon. I still prefer the older version, but I'm fine with this as well. That was a pretty fun if forgettable series. DCYOU was pretty crappy, but I enjoyed both that and Midnighter.

Midnighter%2B%25239%2B%25282016%2529%2B-%2BPage%2B9.jpg


He's such an edgelord and I love him for it. I'd kill for some Authority/Planetary/WildStorm figures. Midnighter and Snow are my locks, and then there are some "lesser" wants I have. Sadly, we'll never get anything from them. And considering how Ellis butchered it for his made-for-tv pitch, it's better that way. I can't believe I pulled that nonsense for 2+ years...

I guess I could try and kitbash a JonCon if they ever release a Phantom Menace Obi-Wan, as McGregor was always a popular fancast for him. Granted he's a Scot and not a Scouser, but you've got to work with what you have.


I'm waiting to see how they handle the X-Men. It'll probably be obnoxious and I won't get even 1/3rd of my wishlist. Even miscasts aside, who's to say they'll do all the crazy X-Characters and that HT will then make the figures? Cable is a convulted character who is however popular enough and will appear 5 years into the X-Flicks. But someone like Rachel?Or Exodus? Will we ever get Adult Franklin in a Hickman FF adaptation? As time goes on I realise that most of my wants will just never happen.
You like the non A-listers, which doesn't bode well for you. Some villains and best supporting characters seem to get passed by. Morbius headlines his own movie and it doesn't look good for him.
 
You like the non A-listers, which doesn't bode well for you. Some villains and best supporting characters seem to get passed by. Morbius headlines his own movie and it doesn't look good for him.
I like a ton of A-Listers, but yeah, I have some pretty deep B/C/D-List wants that I'm unsure if I'll ever get. With the X-Men being such a huge part of the MU with tons of spin-offs, I feel that characters like Rachel are 50-50 if Cyclops, Jean, Magneto and the such are a given. Villains like Apocalypse and Sinister will have to get tackled at some point too. I worry about the Stryfes, the Fantomexs(?) and the such. Someone like Xorn I doubt they'll even try to add to the MCU, even if they take the safer Xorn/Zorn Brothers route. With DC I'm into Batman somewhat, Green Lantern and then Vertigo, with the latter being too niche to get big blockbuster movies and thus figures. I'll probably get a Hal Jordan within the decade, but I doubt I'll ever get a Bowie Vertigo Lucifer, you know?

As long as I get my big wants to "close the chapter" I'm fine, but it just sucks that I'll leave spots open for figures that'll 90% never get made, while passing on others I could easily get, just to keep it all from becoming too cluttered. We'll see. Star Wars I think it's a given that all big names will eventually get made. Marvel, more like a 70% rate. DC it's lower, but maybe QS will pick up the slack. Anything else I want figures from varies and I try to keep my expectations in check. I mean, it's 2022 and we still don't have a Reloaded Neo for God's sake.

I'm still waiting for a DCEU Deathstroke, to make this a tad more relevant. Aaaaaaany day now...
 
Interesting interview from the time of the opening of BVS that I hadn't seen before. This just lends more credence to my understanding that basically everything in BVS was Zack's idea, and not 'forced on him' by WB. He came up with the idea of having Superman die in the movie, and had an 'argument' with Chris Nolan about it, after which he said Nolan came to agree that it was the right thing to do. Snyder wanted Superman out of the picture for his own character arc, to experience his own mortality, as well as so that Batman would be the one who has to put the Justice League together. Snyder also came up with the "Dawn of Justice" subtitle. He said WB was shocked when he said he wanted to kill Superman, but he used the subtitle to help convince them to let him do it, presumably because they liked the idea of using this movie to lead into Justice League.

What's a little amusing is that in an interview with Chris Terrio last year, he said he hated the subtitle Dawn of Justice, but he also said he had no idea who came up with it. Chris and Zack seemed to be on the same page otherwise, and he says he was surprised after seeing ZSJL that Zack shot his JL script basically word for word, even though WB told Chris they were done with him after he turned in the script and he was never on set while JL was filming.

Just sort of fits with my theory that everyone involved with the movie was looking for a way out or someone to blame when BVS got bad reviews. Terrio definitely blamed the theatrical edit, along with the title, but seemed to basically stand by the extended cut. He did say he was starting off with a script that was already written, presumably by David Goyer, so he wasn't responsible for all the ideas in the movie. Deborah Snyder said "people don't like to see superheroes deconstructed." Zack, as far as I can tell, stands by the film completely. When he did his commentary a year or two ago online, he basically ended saying he's very happy with the movie and is proud of it.

 
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Going through this thread just put me in the mood to watch the BvS UE. And what a fine movie it is. I really do like it more then ZSJL. It's such a freaking epic movie. Of course, it does have its faults, but it is glorious.
One thing I hadn't quite picked up on was the parallels between how Clark sees Batman and how Superman is framed/accused. When Clark meets the wife of the guy Batman branded she asks him "one man decides who lives, how is that justice?", echoing what the woman from the African village asks in the Congress hearings about how Superman decides who lives.
And I wonder if the references to Excalibur are about how Arthur lost his way/his soul and it wasn't until Gawain made him understand that he and the Land were one, and that echoes how Batman has lost his way, and needs a "pure Knight" to show him the way again.
Also, I think Snyder's a pretty good actor's director, he certainly gets great stuff from all three (Affleck, Cavill, Gadot).
 
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