Captain Britain
Super Freak
- Joined
- Jan 26, 2008
- Messages
- 3,596
- Reaction score
- 6
I've been thinking for a while that the reason The Dark Knight worked is because it had so little American input. It had a completely different feel to almost every other big summer movie - no reliance on 'hell, yeah!' crowd-pleasing moments, an almost mittel-European fairy tale darkness, and the removal of all those childish action-movie cliches that marred Batman Begins (ninja training, smart-ass comebacks, etc etc).
Most of this has to be down to Christopher Nolan and his brother, and the fact that David Goyer had less involvement with TDK, but you've got to hand it to the cast - of the seven principals only Gyllenhaal, Freeman and Eckhardt were American, and frankly, they made much less impression then Bale, Caine, Oldman and Ledger - maybe they were less inclined to take risks with their performances. And a lot of the production crew were British.
I personally think that handing the movie over to non-Americans was a huge factor in what made it such a great film. First, they brought a European sensibility to a character that is pretty gothic already; second, you can sense their reverence for the seventies cop movies and city movies that don't really have any equal in British cinema; and third, all the people involved were immensely talented already, but I reckon being put in charge of TDK must have been a hell of a fun challenge for them, and encouraged them all to raise their game in a playful way rather than just turning in good work. You can really tell that Oldman and Caine are enjoying themselves; and not being American must have created a kind of camaraderie among them from which I imagine they drew strength. I just don't get the same 'game-raising' vibe from Gyllenhall and Eckhardt, although their performances were perfectly adequate.
I guess also the film was more questioning and less obviously affirming, which is more of a British trait then American - but in this case it was what made it interesting. You felt like you made your own way to the end of the film, and made up your own mind about the questions it posed, instead of being marched towards an inevitable triumph.
What do other people think?
Most of this has to be down to Christopher Nolan and his brother, and the fact that David Goyer had less involvement with TDK, but you've got to hand it to the cast - of the seven principals only Gyllenhaal, Freeman and Eckhardt were American, and frankly, they made much less impression then Bale, Caine, Oldman and Ledger - maybe they were less inclined to take risks with their performances. And a lot of the production crew were British.
I personally think that handing the movie over to non-Americans was a huge factor in what made it such a great film. First, they brought a European sensibility to a character that is pretty gothic already; second, you can sense their reverence for the seventies cop movies and city movies that don't really have any equal in British cinema; and third, all the people involved were immensely talented already, but I reckon being put in charge of TDK must have been a hell of a fun challenge for them, and encouraged them all to raise their game in a playful way rather than just turning in good work. You can really tell that Oldman and Caine are enjoying themselves; and not being American must have created a kind of camaraderie among them from which I imagine they drew strength. I just don't get the same 'game-raising' vibe from Gyllenhall and Eckhardt, although their performances were perfectly adequate.
I guess also the film was more questioning and less obviously affirming, which is more of a British trait then American - but in this case it was what made it interesting. You felt like you made your own way to the end of the film, and made up your own mind about the questions it posed, instead of being marched towards an inevitable triumph.
What do other people think?